NEW YORK: A woman living below Madonna's swank Manhattan apartment has complained to the New York State Supreme Court about the noise that the pop star upstairs pumps out, US media said Monday.
"Madonna and one or more of her invited guests repeatedly dance and train... to unreasonably high-decibel, amplified music, causing noise and vibration to pour through the walls, ceilings and radiators," claims the lawsuit, filed by Karen George.
"Ms. George has been forced to endure blaring music, stomping and shaking walls for approximately one and a half to three hours each day," the suit against the building board said.
The building board said it has threatened Madonna with eviction if the noise does not stop.
Madonna, 51, moved to her seventh-floor apartment in Manhattan's upscale Central Park West avenue after her divorce last year from British filmmaker Guy Ritchie.
"Madonna and one or more of her invited guests repeatedly dance and train... to unreasonably high-decibel, amplified music, causing noise and vibration to pour through the walls, ceilings and radiators," claims the lawsuit, filed by Karen George.
"Ms. George has been forced to endure blaring music, stomping and shaking walls for approximately one and a half to three hours each day," the suit against the building board said.
The building board said it has threatened Madonna with eviction if the noise does not stop.
Madonna, 51, moved to her seventh-floor apartment in Manhattan's upscale Central Park West avenue after her divorce last year from British filmmaker Guy Ritchie.
he says right 
Sometimes, we laugh at movies. At times, we laugh in movies. Thankfully, ALL THE BEST, helmed by Rohit Shetty, belongs to the latter type.
Veer [Fardeen Khan], a singer by profession, is greedy of extracting extra pocket money from his brother Dharam [Sanjay Dutt], a business-honcho. Veer lies to Dharam that he has got married and his friend Prem [Ajay Devgn], a concept car expert, lends a helping hand in cooking up this alibi. 
Ten minutes into the film and you know that ALL THE BEST is all about mistaken identities. But the proceedings actually take off when Sanju enters the scene. That's when you get drawn into this madcap world completely. 
Sanju portrays his part well. His sequences with Ajay are truly fantastic. But the show-stopper is undoubtedly Ajay, whose comic timing is only getting better. He plays to the gallery completely and delivers a sparkling performance. Fardeen needs to loosen up, though he makes a sincere attempt. Bipasha is sweet, while Mugdha doesn't get much scope. Amongst supporting actors, Johny Lever and Sanjay Mishra are in terrific form. Mukesh Tiwari, Vijay Patkar, Ashwini Kalsekar and Atul Parchure lend credible report. 
We love drama. That's the staple diet of Bollywood films. Even television shows, till a few months ago, relied too heavily on dramatic moments and twists-n-turns, especially the saas-bahu shows. Of late, the reality shows rely on drama to boost the TRPs.
Raina has to decide whether her love and loyalty for her husband Samir, who left her to pursue success, is more justified than her faith and trust in her new-found friend, while Akash has to decide whether what he feels for a married woman is lust or true love and whether he's justified in trying to win her at all costs, even at the cost of her marriage. 
The husband re-surfaces [very quickly]. He's now settled in Singapore, has even bought a house there, he returns to Melbourne to fetch his wife back. Complications arise when the marriage registration letter surfaces. Not convincing! 
Salman handles his part with maturity, but it's a Kareena show all the way. She is remarkable and delivers a winning performance yet again. Sohail contributes to some light moments. Yash Tonk is alright. Mahek Chahal is perfect. Nauheed Cyrusi doesn't get any scope. 
Manish Malhotra is having a hard time trying to bring down Kareena’s glamour-quotient in Stepmom to look like the ordinary working woman. Kareena is leaving nothing to chance this time. 
Through the workshops Kareena is discovering how difficult it is to play a normal girl. “I walk talk dress like an ordinary working girl. I’ll be using no makeup.”
